C Major 7 Arpeggio - C Form
C Major 7 Arpeggio - C Form. Here is the last form of our C Major 7 Arpeggio series.This form is used quite frequently by guitarists of all genres alike.
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Arpeggios 10
C Major 7 Arpeggio - D Form
C Major 7 Arpeggio - D Form. This form comes from the D chord shape and is a little tricky as it doesn't fall as nicely under the fingers as the E form, but don'...
C Major 7 Arpeggio - E Form
C Major 7 Arpeggio - E Form. Once again we have a C Major 7 Arpeggio. This shape is very easy to learn and memorize. The second octave of this form is such a sim...
C Major 7 Arpeggio - G Form
C Major 7 Arpeggio - G Form. Here we have the G form of the C Major 7th arpeggio. If you are not familiar with what the G form means please go and watch some CAG...
C Major 7 Arpeggio - A Form
C Major 7 Arpeggio - A Form - This video shows the A form of the C Major 7th Arpeggio.An arpeggio is simply a broken up chord.A Major 7th arpeggio cont...
Jazz Blues in Bb Improvisation Example 4
In the intro to this blues in Bb, Bireli contrasts two ideas: a dissonant augmented chord with a flat ninth, and percussive effects. As an effective...
Rhythm Changes B Section Improvisation Example 13
B section of Rhythm Changes - Another linear approached intro to the improv followed by hard swinging lines that are evenly played across B...
Rhythm Changes A Section Improvisation Example 11
A Section Rhythm Changes Improv Octave Displacement - Bireli makes use of octave displacement and is very careful to keep the back beat of ...
Rhythm Changes B Section Rhythmic and Harmonic Variations Example 2
In this Rhythm Changes B section video you will see another example by the great Bireli Lagrene. Here he once again shows...
Jazz Blues in Bb Improvisation Example 3
In this blues in Bb, notice how Bireli establishes a solid groove right from the beginning by using percussive effects with both hands, as well as c...