3 6 2 5 Phrase 1
Larry Plays 3 6 2 5 Phrase in C. E minor 7 b5 to A 7 #5 followed by a 2 - 5 in C - D m7 to G 13. This is a common 3-6-2-5 chord progression substitution in C.
Intermediate 10
3 6 2 5 Phrases
Here Larry demonstrates 3 6 2 5 Phrases. He outlines the changes with some standard idiomatic phrases. Larry uses the chords as spacing for the phrasing of his lines to giv...
Using the 6th
Larry will talk about and demonstrate to you on how to put more emphasis on the Major 6th of the scale, in this case, and key of A minor the note will be the note F#. In this ...
D minor Phrase
In 5th position, Larry plays a very standard D minor Phrase phrase built off an F major 7 arpeggio and D dorian with no 6th degree.
More 3 6 2 5 Phrases
Larry demonstrates more 3 6 2 5 phrases over the E min7b5 to A 7 to D m7 to G7.
Using Major over minor - Example C Major over A minor
Major over minor - This example showcases on how to actually "think" in C Major, while still being in the key of A minor. This will giv...
G7 Phrase
Larry plays a nice G7 Phrase. He uses a D Dorian idea with an F major 7 arpeggio embed within it over a G7 chord. These simple modal/arppegiated ideas are the fundamentals for pl...
Oasis Wonderwall A section
Oasis Wonderwall A section - In this video we look at "Wonderwall" by Oasis. "Wonderwall" is from the album "What's the Story Morning Glory" released on October ...
E Major triad over C
Superimposing Triads -Another very cool and outside sounding thing that Larry demonstrates is playing an E Major triad over an A minor chord. The notes for an E Major t...
In this 12 Bar Blues video, Larry Coryell will show you how to play the most basic blues. It is 12 measures and consists of 3 chords, a I, IV, and V. The I chord is played for four measures ...