Augmented Triads
This time Larry explains to you that you can also use your Augmented Triads over a minor chord. In this case, we are still in the key of A minor and will use a C Augmented ...
Blues (10)
Choice Licks 4 Slow and Regular
Here is a cool jazz guitar lick from Armen Mosvesyan's TAGA Publishing course entitled "Jazzify" Your Blues. Look at the PDF below.
Using F Major Over a D Minor Chord
F major over D minor - In this video, Larry shows how it's possible to use an F major scale to play over D minor. He first uses an F lydian scale starting...
C Whole Tone Phrase 3
Whole Tone phrase 3 - Moving forward Larry combines the concept of seeing your C Augmented triads and C Whole Tone Scale together. He is putting it now all together an...
3 6 2 5 Phrase 1
Larry Plays 3 6 2 5 Phrase in C. E minor 7 b5 to A 7 #5 followed by a 2 - 5 in C - D m7 to G 13. This is a common 3-6-2-5 chord progression substitution in C.
E Major triad over C
Superimposing Triads -Another very cool and outside sounding thing that Larry demonstrates is playing an E Major triad over an A minor chord. The notes for an E Major t...
3 6 2 5 Phrase 2
Here is another 3 6 2 5 Phrase. Larry begins his line outlining an altered 6 chord here the A 7 #9. He ends his line with a reversed diminished arpeggio over the V7.
Minor Blues Playing example
Finally, Larry tries to apply all previous concepts together over an A minor Blues. Have a listen and look how everything can fit together over a simple blues fo...
In this 12 Bar Blues video, Larry Coryell will show you how to play the most basic blues. It is 12 measures and consists of 3 chords, a I, IV, and V. The I chord is played for four measures ...
Diminished Whole Tone Scale
In this video Larry demonstrates the Diminished Whole Tone Scale starting from A. This is also known as the altered scale, or as Larry says, it's a little like s...